Because fans should be critical, too

Retrospective: Chapten Ten: “Jet”

Among other things, Avatar is a masterpiece of worldbuilding. Every new episode adds something new and usually integral to our perception and understanding of the Avatar universe, and subsequently our understanding of the overall story. This can range from a tiny plot device (e.g. the bison whistle) to a complex moral dilemma that stems from the characters’ behavior and sense of purpose. These narrative devices, when successful, deepen our understanding of our heroes’ journey by showing us precisely what they’re fighting for and not just who they’re fighting against.

“Jet,” for example, adds a touch of grayness to the story’s spectrum of morality. Jet and his merry band of hoodlums aren’t the first “friendlies” that we meet, but they may be the coolest: a gang of young, charming, reckless outcasts who live apart from society, sustaining themselves on nothing but their wits and their hatred of the Fire Nation. When you’re living through a hundred-year-war with no end in sight, people like Jet are a cancer to their enemies and rock stars to their supporters. Jet is the perfect symbol of hope, the underdog who does everything he can to change the world.

But there’s a problem. The same passion that makes Jet such a romantic figure—Katara is immediately smittened after his amazing entrance into the series—fuels a bitter racism: in Jet’s eyes, every single person from the Fire Nation is responsible for the death of his parents and thus deserves no mercy and no remorse. Even a harmless old man is just a pawn that can be taken out of the game, if necessary.

We witness this vicious attack on the old man along with Sokka, and naturally he tries to warn Aang and especially Katara about Jet’s dark side. Unfortunately, he’d already been openly critical of Jet from the start, so when he comes to them with a legitimate concern, they continue to dismiss it as jealousy. It doesn’t help that Jet, the expect manipulator, makes Aang and Katara believe that the old man was actually an assassin sent to get him (which, in Jet’s paranoid delusions, is probably true).

If things weren’t bad enough, Jet plans to flood an entire village in order to drive the Fire Nation out of the area. That the civilians will also die is nothing but an necessary evil to Jet. It is upon discovering this plan that Katara finally sees Jet for the monster he is. By that point, however, she and Aang inadvertently helped put his plan in motion with their Waterbending. Aang attempts to fly away and warn the village, but Jet manages to stop him by stealing and damaging his glider. (Aang’s fight with Jet is pretty revealing: if the Avatar can’t handle a fight with one sword-wielding teenager, how is he going to be ready for the Firelord? How many upgrades will he need before that fight?)

Luckily for the village, this episode belongs not to Aang, but to Sokka, and he manages to evacuate the village. (He gets a lot of help from the old man that Jet attacked.) Sokka started out as the butt of the joke in the first half of the episode, but once Jet reveals his true colors, he’s the hero in the second half. Voice actor Jack DeSena plays both sides very effectively, finding the perfect balance between stoicism and idiocy.

Voice actor Crawford Wilson, on the other hand, doesn’t quite bring the charm and menace necessity to bridge the two extremes of Jet’s personality. The episode suffers as a result, since the evil, murderous Jet is feels emotionally disconnected from the charming rouge we first met (during Jet’s more sinister motions, Wilson’s delivery is too contained and self-conscious to convey genuine rage). This disconnection makes Jet less of a character and more of a plot device designed to demonstrate the innate virtues of our main heroes by comparison.

Voice acting not withstanding, Jet is an intriguing character, and thankfully he returns in Book Two, adding a bit more depth and given him a satisfying character arc. “Jet” demonstrates the show’s willingness to explore moral dilemmas that most kids’ shows probably wouldn’t touch, especially on an episode-by-episode basis. “Jet” brings an element of darkness to the series that stays with it to the bitter end.

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