I Can’t Believe It’s Almost Over…
It’s a bit strange to think that, in just a few days, The Legend of Korra will come to an end. After four seasons and two-and-a-half years, the spin-off of Avatar: the Last Airbender will no longer be around.* No more new episodes to tune in to, on the Internet or otherwise. No more adventures of Korra, who only just started to grow on me this season. No more relevant updates from creators Michael Dante DiMartino and Bryan Konietzko, who will probably forever be caught in the existential trappings of a hardcore fandom and anime conventions. No more bizarre developments to bitch and moan about (like that Giant Mech Suit, which I’ll talk about in a moment). No more missed/wasted opportunities to tell a good story within the confines of an American animated children’s program.
I’m actually tearing up just thinking about it.
To alleviate (exacerbate?) my grief, I started leafing through the “Art of” book for Book One of Korra. Every new page made me more wistful than the last. Here I am going through the selected concepts, ideas, sketches, background paintings, key animation sheets, etc., of what will probably be the last great traditionally-animated television show ever produced (and it wasn’t even that good). How did a show with the potential to revolutionize what could be done with American animated children’s programming devolve into such a joyless and pretentious enterprise? How did we go from the Equalists (who, for all their dirty tactics, made some damn good points about the marginalization of Non-Benders in the Avatar universe) to a Giant Mech Suit straight out of C-grade anime?
And let me make this absolutely clear: I hate Kuriva’s Giant Mech Suit. It fails on every possible level. Aesthetically, it doesn’t match up with the mostly traditionally-animated atmosphere of the series. Viscerally, it lacks any sense of weight and scale necessary to make us feel its terrifying presence. Thematically, it’s silly and obvious. Dramatically, it reduces the human drama to a video game.** Intellectually, all bets are off: Kuvira is most definitely crazy, and beyond redemption and empathy. Emotionally, it’s void: how am I supposed to be invested in something I don’t believe has any right to exist in this universe? How am I supposed to relate to the characters if they can’t even relate to the gravity of their own situation? Not one character seems bothered that a giant robot being controlled by an evil dictator—on the face of it, a gruesomely nightmarish idea—is going to destroy their city. Wouldn’t the very sight of such a monstrosity cause even a hint of shock and awe? By comparison, Seth Rogen’s reaction to the giant, well-endowed demon of Hell in This Is The End was more plausible. Yes, a Seth Rogen comedy about the apocalypse was more believable than this new development in a serious fantasy drama. (And you know what? I bet Rogen’s new film The Interview will contain a much more nuanced portrayal of an evil dictator than we have here in Kuvira.)
Are my tribulations unfounded? Could the last two episodes actually save the series from utter disgrace? Have DiMartino, Konietzko, and company found a way to redeem the many missed opportunities and mistakes they’ve made up to this point?
I honestly don’t think so. History certainly isn’t on their side: every single season finale of Korra has been horrendous, and they’ve gotten worse each season (though I’ll give Book Three a pass because it finally helped humanize Korra in my eyes). First, Aang gave Korra back her Bending when she was in no position to deserve it. That happened in the last three or so minutes. Then, there was the completely nonsensical (or “spiritual,” as Konietzko called it) fight between a giant blue Korra and a giant red Unalaq. That lasted almost an entire episode.
Now here’s a Giant Mech Suit that Korra must find a way to take down (only because she promised Dante Basco that she would). Two episodes to go? What’s going to happen? Will Korra become the Blue Giant again and wrestle it out with the Giant Mech Suit? While that’s happening, will the others and Bataar, Jr. sneak into the suit, find Kuvira, and distract her with Bataar, Jr.’s presence? Maybe Bataar, Jr., having nothing else to live for—he betrayed his family, and now his own lover just tried to kill him—will initiate the second known murder-suicide in the Avatar universe by destroying himself, Kuvira, and the Giant Mech Suit. Maybe Blue Giant Korra will deliver an uppercut that sends Kuvira and her Giant Mech Suit to spend their remaining breathes in outer space. (Now I’m just getting silly.)
If this wild speculation tells you anything, it’s that I hungrily await these last two episodes of Korra. Good or bad, redeeming or damning, tear or rage-inducing, whatever they are, I’ll be tuning. I don’t know if it’s for completionist’s sake (I mean, it’s only two more episodes), or masochism, or plain curiosity to see how much worse (or better!) it could actually get, but facts are facts: for two more episodes, I am a faithful viewer. Only when it’s over will I be able to adequately evaluate what exactly it was I was faithful to.***
*On television, anyway. As far as I know, they’ll still be making Avatar and Korra comics as long as they make money from devoted fans.
**In all fairness, while the Giant Mech Suit itself is beyond idiotic, from a strictly formal standpoint, its reveal was absolutely brilliant. Despite their flaws as storytellers, DiMartino and Konietzko are masters of the element of surprise. Maybe they learned it from working with M. Night Shyamalan.
***On a completely unrelated note, happy 40th birthday, P.J. Byrne!